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Billy Ferrara - bass
Bill Murphy - guitar
Rob Rarren - drums
Shawn Towey - guitar & vocals
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The sound of Jersey City, NJ's The Ankles is
unmistakable: melodic, powerful, and simultaneously irreverent, unhinged and
daring. Fusing the soul of the old Replacements and Soul Asylum drunken shows
with a dizzying combination of punk, hard rock, folk, Southern rock and pop
influences, The Ankles have earned a legion of diehard fans, critical
accolades, and a reputation as one of the most exciting, engaging live
experiences currently on the road, rest stop or motel. In 2002, The Ankles
signed with Maggadee Records plan to continue to tour relentlessly, playing
countless clubs, theatersand festivals wowing their audiences with their
on-the-verge-of-falling apart live show and powerful musical melange.
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The Ankles - Kill Themselves
MD012 - CD
The pride of Jersey City, NJ, The Ankles' debut release will be followed by
their spring 2003 SXSW appearance, a US tour and fall European tour. For fans
of Guided By Voices, Archers of Loaf, Pavement, Built to Spill and melodic,
drunken power rock.
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In the mood for some good old indie rock with a touch of local barroom
attitude? Then have a listen to The Ankles and enjoy their reckless sense of
fun. "On Ice" is energetic, unrefined, yet sung with a calm and determined tone
that oozes with honesty. The Ankles heavy riffs coupled with a background beat
gives off a precise and appreciated energy that is sometime lacking in a lot of
the indie groups out there on the road today. Do yourself a favor and have a
listen to "On Ice" and get a feel for good rock with a carefree approach.
- abercrombie.com
The Ankles with The Sweet Impala @ The Comet
The word "drunken" pops up several times in the press propaganda for Jersey
City's The Ankles. But, while there are certainly moments of sloshy swagger on
the group's recent release, Kill Themselves (on Hoboken indie Maggadee
Records), the down mood and songs of regret, bitterness and indignation seem to
be more befitting a "morning after" descriptor. The Ankles secrete the languid,
unkempt Indie Rock indolence on which Pavement built their house of slack, but
a punchy, assertive rhythm section, intermittent chiming keyboard sprinkles and
burly, sometimes dissonant guitar keeps the listener from questioning their
effort and breaking out the smelling salts. This is energetic stuff that is
actually quite similar in tone to early Afghan Whigs, with its sheets of ragged
sound and, especially, in singer/guitarist Shawn Towey occasionally
tone-challenged vocal bleeding. Like the Whigs' Greg Dulli, the note-reaching
is often so endearingly expressive and soulful that it's forgivable and
appropriate. The dual guitar interplay makes Kill Themselves a keeper --
Towey and Fred MaCaraeg's six-string sparring on songs like "Temper Temper" and
the fantastic "Sparkling &" creates an engulfing glaze. Album closer "The
Little Dinosaurs" finds the band at its most expansive and just happens to be
the disc's finest cut; the escalating dynamic between the watery verses and
burrowing chorus has an irresistibly fluid effectiveness. Kill Themselves
isn't an album for listeners looking for pure note-perfect exactness, but those
who appreciate Guitar Rock that's a little manic and tattered around the edges
will find it passionate and engaging. (MB)
http://www.citybeat.com/2003-07-30/soundadvice.shtml
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